The theoretical inquiry in the essay is grounded in the concrete case of Rev. ![]() As such, the essay turns to theoretical perspectives developed within Cultural Studies in order to examine the ways that the representational politics and “moral panics” surrounding contemporary black youth culture inform recent black rituals of resistance. While contemporary scholarship has resisted reductionist accounts of black religious worship as antithetical to activism, there has been little exploration of the links between black worship and the political activism of the hip-hop generations. It situates this inquiry within long-standing debates among black intellectuals concerning the contested relationships between black worship and political activism. ![]() ![]() This essay examines the relationship between worship and theory in African American religious thought and practice. Download PDF: McCormack, What in God’s Name is the Point
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